The sentence the record is named for. The moment after the decision, not the argument that led to it.
First EP · 4 January 2026
I Think I’llGo Home Now
Six songs for the walk after you have already decided to leave. A high, bright tenor, a bassline that carries the tune, chorus guitar, a dry snare, and one pad with the top end taken off.
I Think I’ll Go Home Now · Mylo & Co
The record
Open a title for the sleeve note
Sleeve notes · played by Mylo, Hare, Nell, Ione
A piece of furniture with a memory. Sung high, with the bass allowed to carry the line.
The working day, after it has stopped being a reason to stay in the building.
The shortest song. Someone the room has learned not to see. The voice does not help by hiding.
The kind exit. Said plainly, without the usual apology underneath it.
A name left where the person was. The last thing on the record, and not a speech.
How it is played
The same four players on every song. The accent is British and left as it is.
The tune leads: a conversational leap, then a note that thins out and shines. Nell’s bass does not sit under the kick. It answers the voice, and often gets to the phrase first. Hare’s guitar is the note and a softer copy of the note. Ione keeps one pad, the top end taken off so the tenor can cut, and a snare that is close, dry, and a little rude. There is no drummer. Nothing is buried to make the night sound darker. The voice stays high.
- Released
- Length
- 20:50 · six songs
- Listen
- Spotify
- Voice
- High tenor, British, close-miked
- Guitar
- Chorus, a short delay, no solos
- Bass
- Melodic. Often the hook.
- Synths
- One part. The top end taken off.
- Snare
- Programmed, close, dry. No drummer.
- Sleeve
- One photograph. Not captioned.
The four
Mylo and Hare are the men. Nell and Ione are the women. The names were invented for the work, and they are not the names on any document. The photograph on the sleeve is the sleeve. It is not given a name here. What follows is how they play.
Mylo
Voice
Rather too bright than too safe.
He sings high, and he sings forward. The British accent is part of the line. On the record he is close to the microphone. Mylo is the name he sings under. It is not the name on any document.
Hare
Chorus guitar
A solo is usually a failure of nerve.
He plays figures that sit beside the vocal, then gets out of the way. A chorus pedal, a little slapback, and rarely a second pass. The guitar is there so the bright voice has a softer twin.
Nell
Bass
If it cannot be hummed, it is not finished.
The songs start with her. She writes the bass as a second vocal, and the voice has to deserve it. She answers Mylo underneath, never in unison.
Ione
Synthesizer and snare
One pad. The top end taken off.
Atmospheric, and only that. She dislikes a string machine pretending to be an orchestra. The snare is hers too: programmed, dry, near, and a little rude, so the prettiness stays honest. It is still one pad.
Hours
There is one public desk, and the record lives on Spotify.
The account is @myloandco. The sleeve may be posted. It is not captioned with a name. They do not add legal names, rehearsal rooms, or street numbers. What else appears there is the work: a bass figure, a chorus pedal opening, a line from a song, the night the songs are about.
When one of the four speaks, they sign with an initial and nothing else. M for the voice, H for the guitar, N for the bass, I for the synths. A room, if one is ever booked, is posted there before it is posted here. There is no mailing list. The account is the list.
- MMylo · voice
- HHare · guitar
- NNell · bass
- IIone · synths